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2005 |
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Award |
Historic Essex County Courthouse |
Newark, New Jersey |
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Award |
Martin
Mitchell Mansion |
Naperville, Illinois |
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Commendation |
Paul
Laurence Dunbar House |
Dayton,
Ohio |
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Commendation |
Bayard
Condict Building |
New
York, New York |
Historic
Essex County Courthouse
Newark,
New Jersey
AWARD
For the complete restoration, after 14
years of closure, of this richly decorated 1907 courthouse by
architect Cass Gilbert, including reclamation of murals, statuary and
skylights and the installation of modern systems.
The City of
Newark in 1904 was a prosperous metropolis with numerous industries
and businesses and a haven for immigrants. A new courthouse was
needed, and the city fathers spared no expense in hiring nationally
prominent architect Cass Gilbert to design a marble beaux arts
structure worthy of the community. A virtual who’s who of noted
American artists and sculptors were commissioned to decorate the
courtrooms and other public areas with murals, statuary, and
mosaics. Tiffany provided the stained glass skylights. By the
1980s, however, the building had fallen into such disrepair that the
county courts sued the city to compel a renovation. The $20 million
bond issue, unfortunately, was diverted elsewhere, and the
courthouse was closed in 1990.
A new county executive in 2003 revived the project for a complete
restoration at a cost of $50 million. Missing decorative elements
were replaced; all wood, stone, and other finishes were cleaned and
repaired; and new HVAC and other systems were installed. The seven
large courtroom murals, the stained glass, and the sculptures were
restored, including a monumental statue of Lincoln by Gutzon Borglum.
Today the courthouse continues to serve its original function in
magnificently refurbished splendor.
Web site:
http://www.essexbar.com/courthouse.htm
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Martin Mitchell Mansion
Naperville, Illinois
AWARD
For the the state-of-the-art exterior and
interior restoration of this home and carriage house built in 1883 by
a local industrialist and since 1936 open as a house museum which is
now part of the Naper Settlement museum village.
In 1883 George Martin retained
local architect James Mulvey to construct his fashionably eclectic
12-room home which showcased Mitchell's masonry products and served as
an office for his extensive building materials business. After his
death, his wife and daughters carried on the business until 1917. The
last surviving daughter deeded the house, its original furnishings,
carriage house, and 212 acres to the City of Naperville to be opened
as a house museum. The property has now become the site of the Naper
Settlement Village, with 19 endangered historic structures relocated
there to form an interpretative center for public education. The
Martin Mitchell Mansion is its centerpiece.
Over the years the mansion slowly deteriorated until a complete
restoration was required. The $2.8 million work included mechanical
and electrical systems upgrading; rebuilding and replacement as
necessary of roof, windows, porch, and landscaping. On the interior,
furnishings were restored, wall coverings matched, and floor coverings
replicated from old photographs and paint samples. The Naperville
Heritage Society currently manages the house and its programs for some
120,000 visitors each year.
Web site:
Naper Settlement
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Paul
Laurence Dunbar House
Dayton, Ohio
COMMENDATION
For the restoration of the house museum
of America's first African-American literary figure and particularly
for the replication of 25 wallpapers by digital process.
This
middle class Victorian house, built in 1888 by developer Samuel
Chadwick, was purchased in 1904 by the mother of poet and author Paul
Dunbar, the first African-American to gain national prominence for his
literary work. Dunbar, who was a friend of the local Wright Brothers,
lived and worked in the house until his early death in 1906. His
mother remained until her death in 1936, after which the State of Ohio
purchased the house and its furnishings as a memorial to the poet.
Under the jurisdiction of the Ohio Historical Society, three
downstairs rooms and Paul's bedroom were opened to the public.
Though
there were periodic restoration efforts, the house slowly decayed.
Then with a Save America's Treasures grant in 1999 and state funding,
a restoration was undertaken of the carriage house, roof, and exterior
walls. Special attention was devoted to the interior
furnishings and finishes, all of which were restored or replaced. The
most significant innovation was the exploitation of modern digital
technology to replicate from actual samples or period designs the 25
different wallpapers which had been used throughout the house. Today
the house and its visitors' center next door are again open to the
public as a partner in the Dayton Aviation
Heritage Historic Park.
Web site:
http://www.ohiohistory.org/places/dunbar/
Dunbar House photos: courtesy of AGI Photographic
Imaging.
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Bayard
Condict Building
New York, New York
COMMENDATION
For the meticulous restoration of the terra-cotta façade of
architect Louis Sullivan’s only building in New York City.
Constructed as lofts in 1899 by
Silas Condict, this is the only building in New York City designed by
the famous American architect Louis Sullivan. In fact, Sullivan said
it was his favorite design of all of his buildings. It is not well
known because it is tucked away on Bleeker Street in the Village.
Nevertheless, it glories in its richly decorated 13-story terra-cotta
façade which incorporates exuberant foliate motifs, lion's head
gargoyles, and six 15-ft. tall angels with outstretched arms below the
cornice. With the inevitable deterioration of the terra-cotta over the
years, Marvin Shulsky, whose family has owned the
building for over 60
years, decided it was time for a complete $1.2 million restoration of
the façade.
Some 1,300 of the 7,000 elements of the façade were removed, repaired,
reinforced, and where necessary replaced during the course of the
work. The long missing first floor was rebuilt. Corroded cast iron
columns and steel beams were cleaned and painted. The pieces were then
reattached with stainless steel anchors, and the entire façade was
repointed and cleaned. The magnificently restored structure once again
welcomes visitors and Sullivan devotees to its presence.
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